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彩色条纹, 1968 通过 Gerhard Richter | ArtsDot.com

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彩色条纹

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“在他早期的灰色的画作之一的这个例子中,里希特允许的结构和色彩组成的”“照片。”“这幅画是无效的成形和可识别图像,揭示Richter的漠视任何”,“模式”“作为作为他主题。里希特采用厚实的笔触和单色,从而在画布上扫流体,完全融合运动。这个强大的姿态一样有效建议考虑如何抽象形式很可能成为一个画家的主体,他们的视觉或光学兴趣,因为任何摄影或“”求实“,”场景源于自然,或“”日常世界“,”在我们身边“。
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Gerhard Richter

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