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琼·米罗（joanmiró）说，《世界的诞生》描绘了 “ 某种 genesis”—the 无生命的开始 . 为了使这项工作 , 米罗倒了 , 磨毛 , 然后在不均匀底漆的画布上扔油漆，使油漆在某些区域浸透而在其他区域停留在顶部 . 在这种相对不受控制的油漆应用之上 , 他添加了以前在研究中计划过的线条和形状 . 鸟或风筝 , 流星 , 气球 , 和白头的身影似乎都有点熟悉 , 但是他们的联系是不合逻辑的 .